JAMES SULKOWSKI
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Home >> Blog

2/7/2018 1 Comment

why do the old masters continue to  draw the largest crowds ?

Leonardo Da Vinci , Michelangelo and Vermeer and the 17th century Masters 
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 have been the subjects of blockbuster news in recent times. A LEONARDO portrait of Jesus set an auction record of 450 million dollars ; an exhibition of MICHELANGELO'S  drawings at the Metropolitan Museum of Art in New York brought record-breaking crowds ( this has been called the number one art event of 2017-2018 ) ; another major exhibition recently closed at The National Gallery of Art in Washington D C  entitled VERMEER and the MASTERS OF GENRE PAINTING. ( also in the top three of major art shows of 2017-18 )
All of these artists are Masters of drawing and painting . What makes them Masters? 
​Their art is based on Nature ; the depiction of the human form was considered to be the highest achievement of art from the age of Phidias in Classical Greece which later enjoyed a rebirth during the Renaissance and continued through the 17th century . Beauty , another important quality of Classical Art and a word banished from the art scene even today , was extremely important then.
STANDARDS in the Craft as well as in the creation of drawings, paintings and sculptures existed for centuries . A rigorous study of Form , Light , Composition , Color , Anatomy  and so forth was required of the art student . If they weren't capable of understanding and applying these principles ( as they were also learning to " see " ) , then they were advised to do something else with their lives. As I mentioned above, the study of the CRAFT of painting was just as important as the ART. Craft meant knowing how to prepare panels and canvases ( choosing the best quality materials ), grinding pigments with oils prepared by hand , making paint brushes , making varnishes from scratch , making their own charcoal to draw with as well as digging the finest earth deposits for their drawing tools and paints. They made their own papers as well.
​So the Classical or TIMELESS approach is why the work of these artists continues to capture our imagination. Their paintings exhibit a richness of color and depth that can only be achieved by these principles and methods . A very small number of artists , including myself,  working today embrace these concepts and techniques in creating their own timeless pieces.
​Below are Leonardo's Salvator Mundi , a Vermeer and a painting by Frans Van Mieris.
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    Classical artist,James Sulkowski , in his art studio in Houston,Pa

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